Cambridge and Princeton: Harvard University and Princeton Architectural Press, 1995. First edition. Paperback. Wide paperbound quarto. 91 pp. Illustrated in b/w. Includes an interview with the artist. A very good copy in bound illustrated wrappers. More about Eric Owen Moss: The Box
Italy: Christian Stein, 1967. First edition. Paperback. Oblong 4to. An uncommon exhibition catalog with text in Italian and English. 16 pp. SIGNED by the brilliant Italian sculptor. A fine copy in photo-illustrated wrappers. More about Ettore Colla (Signed Copy
Roma: Grafica Via Bolsena, 1960. First edition. Hardcover. First edition. Superbly designed monograph on the sculptures of Colla with text in English and Italian by Lawrence Alloway. Clean and tightly bound near fine copy in near fine unclipped dustwrapper. SIGNED by the artist and quite scarce thus. One of the... More about Iron Sculpture (Signed
Greenvale: Hillwood Art Gallery, 1985. First edition. Paperback. Softcovers. Various formats. Four issues sold here together. Catalogs from various exhibitions of artists at Hillwood Art Gallery. Illustrated in black and white. All isues in clean very good condition. Some of the artists featured include James Lee Byars, Shigeko Kubota, Robert... More about Unaffiliated Artists III, IV, 6 and VII (Four Issues
Barcelona: Fundacion Colson, Inc., 1978. First edition. Hardcover. Hardbound quarto in dustwrapper. 163 pp. Text in Spanish by Dario Suro. A handsome very good copy in dustwrapper. Little known monograph on the artist. Illustrated in both color and black and white. A scarce title with only four copies in WorldCat. More about Jaime Colson; Memorias de un pintor trashumante Paris 1924 / Santo Domingo 1968
No Place: Self Published, 1957. First Edition. Original etching by Conner, one of only 24 SIGNED and dated copies from quite early in the artist's career. Nicely matted and framed under glass. Has not been examined outside of frame. Image measures 9" by just over 7" tall. Image in fine... More about Geryon (Original Signed Etching
New York and California: Dia Art Foundation and University of California Press, 2005. First edition. Hardcover. Hardbound quarto. 208 pp. Illustrated in both color and black and white. A fine copy, issued without dustwrapper. Still sealed in shrinkwrap. More about Spiral Jetty: True Fictions False Realities
Munich, London, New York: Prestel, 2012. First edition. Hardcover. Hardbound quarto. 176 pp. With dozens of color illustrations and some black and white. Text by Jeremy Cooper. A fine, as-new copy still in publisher's clear shrinkwrap. More about Growing Up - The Young British Artists at 50
Pasadena: Pasadena Art Museum and The New York Graphic Society, 1968. First edition. Hardcover. Square quarto. Text by Coplans with 69 b/w illustrations and 34 color plates. Featuring artists ranging from Ellsworth Kelly to Claude Monet. Catalog of the exhibition. 143 pp. A handsome near fine copy in red boards... More about Serial Imagery
New York: Paul Kasmin Gallery, 2012. First edition. Hardcover. Oblong quarto. Metal spiral binding with printed thick cardboard covers. Printed to coincide with a 2012 exhibition of Copley's works at Paul Kasmin Gallery. Includes elaborate full-color fold-outs and an interview with the artist's son. Slight rear cover crease else a fine example. More about The Patriotism of CPLY
Berkeley and Los Angeles: University of California, 1976. First edition. Cloth. Two, identical nearly portfolio size volumes. Comprehensive study of the art movement entitled Vorticism with text by Richard Cork. The first major study of its kind. Volume One - Origins and Development is 321 pp Illustrated in color and... More about VORTICISM and Abstract Art In The First Machine Age (Two Volumes
New York: Castelli Feigen Corcoran, 1978. First edition. Paperback. Wide paperbound 8vo. 125 pp. Introduction by Richard L. feigen. With a reminiscence by Donald windham and an essay by Howard Hussey. Illustrated in black and white. A very good copy in dark brown bound printed wrappers. More about Joseph Cornell Collages 1931 - 1972
New York: Mary Boone and Michael Werner, 1984. First edition. Paperback. Wide paperbound 4to. Text by Mario Diacono. Catalog from a 1984 exhibition. Prior owner blindstamp else a fine copy in bound printed wrappers. Color illustrations. Unpaginated. More about Enzo Cucchi
London: Gagosian Gallery, 2003. First edition. Paperback. Thin 4to in case. 12 pp. Catalog of a 2003 London exhibition. Text by James Cuno. A fine copy in stitched printed wrappers. With separate five pp booklet of illustrations. Both of these booklets laid into a folder contained with a hard printed... More about Jasper Johns Prints 1987 - 2001
New York: Alessandra Gallery, 1975. First edition. Paperback. Tall, wide paper quarto. The catalog published to coincide with this gallery's inaugural exhibition. Featuring one full page color plate for each artist. A very good copy in stapled printed wrappers. Couple of small stains to rear cover. More about Barnes Garabedian Green Hurson Kaufman Scanga Schwedler At Alessandra
New York: GHirschl & Adler, 1986. First edition. Paperback. Oblong printed wrappers. Illustrated in color. Catalog of a 1986 exhibition featuring these three artists. A very good plus copy in printed bound wrappers. More about Cy Twombly - Christopher Wilmarth - Joe Zucker
London: Anthony d'Offay Gallery, 1988. First edition. Hardcover. 4to. Brief text by d'Offay. Includes an interview with the artist. Illustrated in color and b/w. A fine copy in green boards. Issued without dustwrapper. Published on the occasion of an exhibition. More about Georg Baselitz; Sculpture & Earlly Woodcuts
No Place: Dale Chihuly, 1982. First edition. Cloth. Clothbound quarto in dustwrapper. 79 pp. Artist published book on his works in glass with introduction by Linda Norden. Very faint age spotting in a few places. A sound very good copy in olive cloth binding in near fine unclipped dustwrapper. Illustrated in color. More about Chihuly Glass
Paris: Centre National D'Art Contemporain, 1974. First edition. Paperback. Tall quarto. 168 pp. Text in French. Illustrated. A very good copy in tall decorated bound wrappers. Featuring Paul Staiger, Duane Hanson, Richard Estes, Chuck Close and many other artists. More about cnac / archives Hyperrealistes Americains Realistes Europeens
Milwaukee: New Milwaukee Arts Center, 1979. First edition. Paperback. 4to. 88 pp. Catalog of the 1979 New Milwaukee Arts Center exhibition. Very good condition in bound printed wrappers. With both color and b/w illustrations. More about Emergence & Progression; Six Contemporary American Artists Dine Judd Lichtenstein Morris...
Zurich: Edition Hochparterre bei Scheidegger & Spiess, 2009. First edition. Hardcover. 4to. 88 pp. Illustrated in black and white. Text in German and English. An interesting monograph on Danuser. A near fine hardbound book in very good thick paper dustwrapper with very wide flaps. More about Zumthor sehen. Bilder von Hans Danuser / Seeing Zumthor. Images by Hans Danuser
Hamburg: Christians, 1989. First edition. Paperback. Tall narrow paperbound quarto. Text in German by Ralf Busch. Unpaginated. Uncommon catalog from a 1989 German exhibition. A very good copy in thick bound decorated wrappers. More about Hanne Darboven Ansichten '85
Amherst: University Gallery, 1979. First edition. Paperback. Oblong stapled quarto. A slender exhibition catalog. Very good clean condition in printed yellow wraps. Includes an interview with the artist. More about Al Souza
San Diego: Museum of Contemporary Art, 2008. First edition. Hardcover. Oblong hardbound quarto. 219 pp. CD at rear of volume. A near fine copy in photo-illustrated boards. Issued without dustwrapper. A terrific monograph on the artist with essays by Davies and Irwin. A large and heavy volume. More about Robert Irwin: Primaries and Secondaries
New York: Pierpont Morgan Library, 2002. First edition. Paperback. Square paperbound quarto. 43 pp. A catalog published on the occasion of a 2002 exhibition at the Morgan Library. Text by Diane Kelder with a foreword by Charles E. Pierce, Jr. Illustrated in both color and black and white. A near fine example. More about Stuart Davis Art and Theory, 1920-31
